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- music aesthetic subject 音乐审美主体
- Inquiry into Music Aesthetic Ideology of Liszt. 李斯特音乐美学思想探微。
- The individuality and emotional input of aesthetic subject is active only with lofty aesthetic ideal as the prerequisite. 审美主体的个性和情感投入必须以高尚的审美理想为前提才是积极的。
- Popular and elegance are general,basic scope that reflect dietetic aesthetic subject's Basic feelings on diet atmosphere and not an insuperable gap between them. 俚俗与典雅是反映饮食审美主体对饮食美呈现氛围基本类别的感受的范畴,带有一般性、基础性,二者之间并没有不可逾越的鸿沟。
- However, the freedom of aesthetic subject is based on the immateriality of the digital code, which provides both a chance and a trap for the subject freedom. 但数字艺术审美主体的自由是以数字符号的非物质性为前提的，数字符号的非物质性既是构成数字艺术审美主体自由的契机也是其陷阱。
- Ethical spirit of music is a new musical aesthetic perspective and represents a huge effect on realistic social life and relation that music exerts. 音乐的伦理精神是音乐审美的一个新视角,它展现了音乐对现实的社会生活和社会关系所产生的巨大影响,中西方音乐文化在对音乐的伦理精神的理解上有着惊人的相似性;
- Abstract: The formed the basis of the scope of dietetic beauty is dietetic aesthetic subject＇ s different feelings from two levels that the emotional Visual evaluation and rational tmderstanding. 摘 要: 饮食美的范畴的形成根据是饮食审美主体从感性直观品评和理性认识延展两个层面产生的不同的审美感受。
- Classical and Fashion are scope that reflect dietetic aesthetic subject's Basic feelings on diet beauty's time extension,The key lies in their spirit of subjects. 古典性与时代性是反映饮食审美主体对于饮食美时间展开的基本类别感受的范畴,只有将古典与时代完美结合,人类饮食文化才能源远流长。
- As a united System, they effect the forming and development of National Musical Aesthetic Psychology as resultant force. 三者作为合力系统共同对民族音乐审美心理的形成与发展产生作用。
- The local aesthetics aesthetic subject who takes aesthetic activities is the aesthetic feeling creator with aesthetic faculties and appreciator. 乡土美学的审美主体是进行审美活动并具有一定审美能力的美感的创造者和欣赏者。
- This aesthetic form influences, in a particular way, the aesthetic subjects' perception, as well as their reasoning. 这一美学形式以其独特的方式改变着审美主体的感性，并从而影响其理性。
- Vocal music esthetics subordinates in music esthetics, is music esthetics subordinate"s branch discipline. 声乐美学隶属于音乐美学,是音乐美学下属的分支学科。
- His musical aesthetic outlook did not only stablish the independence of music but was considered as a bridge of the Western formalistic criticism between tradition and the modern times. 他的音乐美学观不但确立了音乐的自主独立性,而且还是西方形式主义批评从传统走向现代之间的桥梁。
- It is unefficient to feed the healthy qualities according to traditional education methods,but musical aesthetic education is one of the efficient ways to do it. 培养健康的身心素质单靠传统的教育方式和方法已经难以奏效,而音乐美育将是培养当代大学生健康心理素质的有效方法之一。
- The second chapter studies on the aesthetical subject and object theory of the dialogism aesthetics. 第二章是对对话美学的审美主体和审美对象理论的研究。
- So artistic appreciation possesses subjectivity. The lively saying "The beauty is in the eyes of the beholder" exactly demonstrates this kind of aesthetic subjectivity. 欣赏者对于欣赏对象,不是被动地消极地接受,而是进行着能动的积极的再创造,艺术欣赏带有主观色彩,“情人眼里出西施”,这是人们对这种审美的主观性的生动描述。
- This kind of historical dimensions in his music aesthetics is suggestive and thought-provocative for development of music aesthetics as a scholarly discipline in Chins. 这种强调历史维度的美学观点和方法论特点，对我们自身的学科建设具有显著的借鉴作用和启发价值。
- This paper analyzes the impact of music psychology on the studies of historical musicology, music aesthetics, music sociology, and music education, etc. 摘要本文分析了音乐心理学对历史音乐学、音乐美学、音乐社会学、音乐教育学诸学科研究的影响。
- He had been stimulated by one of the principal questions of musical aesthetics. 他曾受到一个音乐审美学主要问题的推动。
- Combining withthe theories of psychology and music aesthetics this dissertation discussed how to train imagination and how to control and inspire the reins of the executant. 本文将想象和情感的心理学理论与音乐美学理论相结合，论述了钢琴演奏过程中想象力的培养和情感的激发与控制问题。
