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- Natural aesthetic is the core of Chinese aesthetics. 自然审美是中国古代美学的核心。
- The united form of individualism and universalism is modernity ethical discourse of Chinese aesthetics. 中国美学现代性的伦理话语是个体主义与普遍主义的统一形态。
- Some Daoist scholars discussed in the thesis has never been studied ,which will instructively complement the study of Daoism and Chinese Aesthetics. 另外，必须要指出的是本文探讨的一些道教学者，包括具有道家、道教思想的艺术家，他们从未进入过美学研究的视野。
- Qi permeates the whole process of Chinese aesthetics and has a deep influence on the Chinese aesthetics. 气贯穿于中国美学的始终，对中国美学的影响是多方面的，也是深远的。
- Chinese Aesthetics in the late 20th century can be depicted by the concept of neo-classicalism. 摘要“新古典主义”是对20世纪后期中国美学审美观念上的描述。
- At the same time, affected by Chinese traditional thought, Hedger's thought has what meaning for Chinese aesthetics? 同时，海德格尔作为一位深受中国思想影响的西方思想家，他的思想对于中国美学又有什么样的意义？
- Abstract: As a classical aesthetics, traditional Chinese aesthetics emphasizes the beauty of harmoniousness. 摘要： 中国古代美学属于古典主义美学，在美的形态上主张和谐美。
- Therefore the Zen nature reality theory is the radicle cause of Chinese aesthetics prejudiced inner hearty verve and emrty taste. 所以,禅宗的心性本体论是中国美学偏于内向化、心灵化、偏于神韵、境界的追求的根因所在。
- The “four images and three circles” is actually a generalization of the ancient Chinese aesthetics with primal culture as its context. “四象三圈”就是对这个以原始文化为背景的中国古代美的概括;
- The quarrel foreboded the impossibility and the possibility of the dialogue between western Aesthetics and Chinese Aesthetics. 苏格拉底和希庇阿斯的一场问答预示了西方美学和中国美学对话的不可能性与可能性。
- Only when it is put before the mirror of the West as Other, can the Chinese aesthetics obtain its own original immanence. 只有在西方这个“他者”镜像的比照下，中国美学方能获得自身的最初的内在定性。
- The main discrepancy between Chinese and western aesthetics refers to "implicitness" in Chinese aesthetics and "explicitness" in western aesthetics. 摘要中西美学观的主要差异是中国美学讲究“含蓄”，而西方关学崇尚“外显”。
- Since entering the 21st century,with the change of the history culture,the contemporary Chinese aesthetics has also entered in a new history time. 进入21世纪以来,随着历史文化的变迁,当代中国美学也步入了一个新的历史时期。
- They are rooted in Hunan culture,have enriched and contributed to Hunan culture,and fully represent Hunan culture as well as Chinese aesthetics. 它们植根于湖湘文化,丰富了湖湘文化的内涵和底蕴,是体现湖湘文化和中国意境美学的绝胜华章。
- The development of Chinese aesthetics of the 20C has undergone a process from nil to existence.It shows colorful diversities with the development of society. 20世纪中国美学的发展，经历了一个从无到有的过程，它随着社会的发展而呈现不同的色彩。
- Zong Bai-hua, the prominent aesthetician in the history of Chinese aesthetics in 20th century has made many original achievements by study of art experience. 宗白华作为是二十世纪中国美学史上的杰出美学家,以艺术体验为美学研究的挈入点,独特地走出了散步美学的道路。
- The aesthetics of existence is,undoubtedly,a vital complement to the Chinese aesthetics,but its function is so unduly exaggerated as to be worshiped and idolized. 生命美学要为中国美学补神性,但内在地显示了夸大美学功能的倾向,其目的是为生命美学造神。
- The proper way to develop Chinese aesthetics is to give up the thinking pattern of pursuing "beauty" in substance,and to study the causes,process and r... 抛弃寻找本体性“美”的思维方式,研究审美现象发生的原因、过程和规律,是中国美学的发展之途。
- For another, some tricks are integrated into subject matter of novels, he therefore creates masterpieces of integration of classical Chinese aesthetics and modem west one. 但是另一面，他又把西方小说的一些写作技巧融入小说的主题中，由此创作出中国古典美感和西方现代美感相融合的佳作来。
- In the process of construction of modern Chinese aesthetics of literature and art there are still some difficulties and perplexities in ideology and national cultural psychology. 中国现代新文学理念的形成无疑是同接受和吸收外国文学密切联系在一起的,是中外文化相互交融的精神成果。
