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- The third part analyzes the survival strategy of the Sixth Generation Directors in niche market through aesthetic features such as the town impression, youth discourse, etc. and innovation forms. 第三部分通过第六代电影文本中的城镇印象、青春话语等美学风格以及对形式的创新,分析了第六代在电影市场夹缝中的生存策略。
- the sixth generation directors 第六代导演
- the sixth generation director 第六代导演
- After the sixth generation of filmmakers came to prominence in the 1990s, there appears a new group of Chinese directors whose films defy categorisation. 中国电影来到了第六代，原来还有更新的新世代。
- The term from 2005 to 2008 is the sixth generation of TOP programme(TOP VI). 第六期奥林匹克合作伙伴计划是从2005年至2008年。
- the sixth generation of directors 第六代导演
- The creation of the sixth generation is an empiricist one,which embodies the consciousness determined by the reality. 第六代的写作是一种社会存在决定的经验写作。
- The creation of the sixth generation is an empiricist one, which embodies the consciousness determined by the reality. 摘要第六代的写作是一种社会存在决定的经验写作。
- Rodney Frelinghuysen, from New Jersey, is the sixth generation of his family to serve in Congress. 来自新泽西的罗德尼.;弗里林海森则是在国会供职的第六代家族成员。
- Jia Zhangke's Film, as a representative of the directo of the sixth generation, has characteristic narrative stratagy and aesthetic meanings. 摘要贾樟柯作为第六代导演的代表人物，其电影作品有着独特的叙事策略与美学内涵。
- The sixth man went forward to feel the elephant. 第六个瞎子走上前去摸大象。
- After experienced the development from the first generation to the five one, the sixth generation directs as a kind of brand-new posture treads into the film domain. 在经历了第一代到第五代的发展历程之后,中国第六代电影导演以一种全新的姿态踏入影坛。
- The oldest children are in the sixth form. 年龄最大的学生在六年级。
- Discourse Construction of the Sixth Generation Film Directors 中国第六代导演的影像话语
- He was counted out at the end of the sixth round. 他在第六轮被宣布为失败。
- My new house is on the sixth floor. 我的新房子在六楼。
- The sixth grade saw an educational film yesterday. 六年级学生昨天看了一部教育片。
- It's on the sixth floor let's take the lift. 在第六层--我们乘电梯吧。
- Although the space aesthetics of the fifth generation of films expedites the creative impulse of the sixth generation,it backwardly weakens the latter's narrative inertia of linear history. 第五代电影的空间美学激生出第六代的创作冲动,却反向促使后者有意淡化线性历史的叙事惯性。
- Adherent OCM-1 cells in standard DMEM/F12 medium turned to spheroid cells in SFM, similar to the growth pattern of stem cells. The CD133 positive rate in the cells of the sixth generation was 79.8%, and Musashi-1 expressed highly. 在标准DMEM/F12培养基中贴壁生长的OCM-1细胞;使用SFM培养基培养后;贴壁细胞明显减少;第6代的CMSCs细胞;均为悬浮团状集落生长;呈现典型的干细胞生长方式;CD133阳性比率达到79.;8%25;Musashi-1强阳性表达。
