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- An actual CBIR system is designed aiming at concrete image database.2.Preprocess of image before CBIR.Mainly introducing the removal of noise, color image segmentation. 2.图像的预处理,主要介绍了噪声去除,且改进了彩色图像分割、图像主目标区域确定。
- The purpose of this study was to investigate the effect of the Concrete Image Spatial Concepts (CISC) instructional strategy on the particle concepts learning achievement of junior high students. 本研究旨在探讨具体影像空间教学策略 (CISC) 对国中生微粒概念学习成效的影响。
- The heroine is the spitting image of the author. 书中女主人翁是作者的真实写照。
- I have this image of you as always being cheerful. 在我的心目中,你的样子总是兴高采烈的。
- The minister is trying to improve his public image. 部长正在努力提高他自己的公众形象。
- His good image has stolen up on my brain. 他的良好形象已渐渐在我头脑中形成。
- The ordinary man, as the Saturday Evening Post has discovered, thinks in concrete images, anecdotes, pictures, and parables. 星期六晚邮报发现,普通人是通过具体形象、故事、画面和比喻进行思考的。
- She is the express image of her mother. 她和她母亲长得一模一样。
- A defect of focus, such as blurring in an image. 像差焦点不准确而造成的物像模糊
- The display image of an area on a document. 在文卷上,某区的显示图象。
- The scandal hurt the government's image badly. 这丑闻严重损害了政府的形象。
- Her image is engraved upon my heart. 她的形象深深印在心中。
- Her image was fixed in his mind. 她的形象深深印在他的脑海里。
- A literary movement launched by British and American poets early in the20th century in reaction against Victorian sentimentalism that advocated the use of free verse,common speech patterns,and clear concrete images. 意象主义在20世纪早期由英美诗人发起的反对维多利亚式伤感主义的一场文学运动,主张使用自由体、普通的语言模式和清晰具体的影象
- He is the very spit and image of his father. 他和他父亲长得一模一样。
- This play is the image of contemporary urban life. 这个剧本是当代城市生活的生动写照。
- A literary movement launched by British and American poets early in the20th century in reaction against Victorian sentimentalism that advocated the use of free verse, common speech patterns, and clear concrete images. 意象主义在20世纪早期由英美诗人发起的反对维多利亚式伤感主义的一场文学运动,主张使用自由体、普通的语言模式和清晰具体的影象
- The baby is the spitting image of his father. 婴孩酷似其父。
- The coin bore an image of the president. 这枚硬币上有总统的肖像。
- The three part analyze the water, the light, the fire three concrete images in melody, tonality , texture and the skill of play comparatively, and understands Debussy"s piano language deeply. 第三部分通过对水、光、火三个具体的意象从曲式、调性、织体、演奏技巧等方面的分析比较,试图更进一步地深化理解德彪西的钢琴语言。