This thesis studies on transformation of dog s figures of Su Wong-Shen s artworks from 1988 to 2006.We interpret his artworks in cultural and social ways by using iconology.

• 中文摘要本文研究苏旺伸自1988至2006年作品中，犬形的转变与衍伸而来的诸多意涵，著重于图像学中文化、社会面向来加以探讨、诠释。