This paper is the re-description and the re-location of the orient chivalry teleplay by the discourse of Postmodernism, and analyzes its population in recent context and the legitimacy of post-modernity.

• 摘要本文运用泛后现代话语，重绘东方武侠影视，分析其在当下语境，受众面广的历史必然性和现实合理性。