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- TV cultural industry 电视文化产业
- What does China's Entry into WTO Mean to Cultural Industry? 中国加入WTO对文化产业意味着什么?
- The 21st century, no doubt, belongs to the cultural industry. 21世纪，毫无疑问属于文化产业的黄金时代。
- And thus the concept of the cultural industry emerged and gradually matured. 于是，出现了“文化产业”这一概念，并逐渐成熟。
- Further strengthens the education and the cultural industry cooperation. 进一步加强教育及文化产业合作。
- The third is the canal culture industry group. 三是运河文化产业群。
- Baile Records was set up together by Baile International Records (Hong Kong) Company Limited and Guangdong Baile Movie and TV Cultural Communications Co., Ltd. 佰乐唱片由佰乐国际唱片（香港）公司与广东佰乐联手打造。
- The tourism industry and cultural industries need to be greatly expanded. 大力发展旅游业和文化产业。
- The Xuanwu Liulichang Cultural Industry Park shall be vigorously developed to establish an incubator of cultural businesses. 积极发展宣武琉璃厂文化产业园区,创建文化产业孵化器，扶植和培育创新型文化企业。
- In 2001,the added value of cultural industry totaled 13.0 billion yuan,a proportion of 4.6 percent of Beijing's GDP. 2001全年，文化产业增加值130亿元，占国内生产总值的比重为4.;6%25。
- "The Truman show", directed by Peter Weir was a semi-serious poignant forerunner to our current reality TV culture. "杜鲁门节目"，导演彼得威尔是一个半严重尖锐的前身，以我们目前的现实，电视文化。
- Cultural market and cultural industries have boomed. 三)文化市场和文化产业蓬勃发展。
- And assault the culture industry peak here on the basis . 并在此基础上向文化产业的顶峰冲击！
- The TV culture's dual attribute comes into intense collision and finally tends to the industrialism. 电视文化双重属性激烈碰撞并最终趋向产业化；
- The catering of TV media to the voycurist needs of the audience is the impetus for the vulgarization of TV culture. 摘要电视媒介迎合观众“窥视癖”的需求是电视文化庸俗化的重要原因之一。
- The catering of TV media to the voyeurist needs of the audience is the impetus for the vulgarization of TV culture. 电视媒介迎合观众“窥视癖”的需求是电视文化庸俗化的重要原因之一。
- In 2001, the added value of cultural industry totaled 13.0 billion yuan, a proportion of 4.6 percent of Beijing's GDP. 全年文化产业增加值130亿元，占国内生产总值的比重为4.;6%25。
- Then Koreanand Chinese cooperation on cultural industry will have a broad horizonand bright prospect for development. 那么韩中文化产业合作将会具有广阔的空间和发展前景。
- John Fiske pays attention to using the Semiology method to study the hegemony forming relations in ideology for TV text,televiewer and TV culture. 菲斯克在自己的电视研究中注重运用符号学方法研究电视文本、电视观众以及电视文化在意识形态中的霸权建构关系。
- I.Foreword: the 4th China (Shenzhen) International Cultural Industry Fair (ICIF) is going to be held. 一、前言：第四届文博会即将举行。
