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- Martin Eden got off at this corner. 马
- Martin Eden remembered his decision. 亚瑟整个晚上都在诱导这个野蛮人露出本相。
- So it was that Martin Eden solved the problem. 马
- Martin Eden followed his exit with longing eyes. 马
- Martin Eden, published in 1909, is his masterpiece. 《马丁·伊登》发表于1909年,是杰克·伦敦的代表作。
- A terrible restlessness that was like to hunger afflicted Martin Eden. 一阵可怕的、跟饥饿差不多的不安情绪折磨着马丁·伊登。
- As Martin Eden went down the steps, his hand dropped into his coat pocket. 马丁下楼时把手伸进外衣口袋。
- Back from sea Martin Eden came, homing for California with a lover's desire. 马
- Martin Eden never looked at him without experiencing a sense of repulsion. 马
- At the age of 13 Martin Eden had to leave his parents and start his life in Chicago entirely on his own account. 马丁·伊登13岁时就不得不离开父母到芝加哥独自谋生。
- Arthur was leaving the room, and Martin Eden followed his exit with longing eyes. 此时亚瑟又离开了屋子,马丁·伊登很不情愿地望着他走了。
- Arthur was leaving the room,and Martin Eden followed his exit with longing eyes. 此时亚瑟又离开了屋子,马丁·伊登很不情愿地望着他走了。
- Martin Eden's head was in a state of addlement when he went away after several hours. 马
- "Martin Eden, the first thing to-morrow you go to the free library an' read up on etiquette. “马
- This acute sense of alienation finds most vivid expression in London's semi-autobiographical novel MARTIN EDEN. 这种尖锐的异化,在伦敦带有一定自传性质的小说《马丁 - 伊登》中得到了十分生动的反映。
- Chapter 4 deals with two biographical novels, Martin Eden and The Valley of the Moon. 第四章选取伦敦带有自传性质的小说《马丁·伊登》和《月亮谷》。
- Martin Eden comes from the bottom of the society and was once a sailor and hard laborer. 小说的主人公马丁伊登来自社会的底层,他当过水手,也当过苦力。
- On shipboard he would be a sneak, a whiner, a tattler.He, Martin Eden, was a better man than that fellow.The thought cheered him. 要是在船上他肯定是个告黑状、翻是非、哼哼叽叽的主儿,而他,马
- This thesis, divided into four chapters, aims to probe into the ideological content and artistic characteristics of Martin Eden. 本论文旨在探讨《马丁·伊登》的思想性和艺术特色。 论文分四章。
- Whether it is Buck or White Fang, the ruthless captain of THE SEA WOLF (1904) or his own image in MARTIN EDEN (1909), they are all "primordial beasts" or Nietzschean heroes. 无论是勃克还是“白牙”,也无论是《海狼》(1904)中冷酷的船长还是《马丁 - 伊登》(1909)中他本人的化身,他们都是“原生巨兽”,都是尼采式的英雄。