It is the reason why Chinese thinks aesthetic state as the highest, and why occidental deduces poetic perching from emptiness.

• 这种暗示性语言是一种诗的语言，它试图用一种诗意的图景弥合认知主体与对象之间的鸿沟，使存在由不可知而导致的虚无变得可以忍受。