Here with the tongue of sadness to creatures, he writes a tragic, hazy love story, which penetrates classical Japanese aesthetic implication.

• 在这里,他以“物哀”之笔,饱蘸伊豆风情写下了一个凄婉含蓄而又朦朦胧胧的青春爱情故事,其间无不渗透着日本古典的审美意蕴。