By comparison, the thesis discussed the dialectical relationships between new and old, tradition and modern, reality and figment.

• 通过比较分析,本文在摄影的范畴内深入地探讨了新与旧、传统与现代、数字技术与影像诚信、现实与虚拟之间的辩证关系,并由此推导出对于数字摄影我们应有的科学态度。